![]() One of the many highlights of this updated suite would be the addition of 11 new synth models. We also really loved the formant filter, providing vocalise as a stylish alternative to the original low-pass default. Some of the filters also offer a variable state which can include high, band and notch-pass filtering, alongside the prerequisite low pass. The filters are available universally, throughout the entire suite, and by way of helpful clues, the filters are often prefixed by a letter M-type relates to a Moog-style ladder filter, C-type replicates the Curtis chips found in Prophets and OB-Xa synths, with further filter facsimiles from Roland and the Oberheim SEM. Seven different filter types can be modulated by a dedicated envelope and five different LFO shapes. Apart from a user interface that immediately summons the spirit of 80s Roland, it’s the application of numerous additional features, never previously available on the Juno, which takes this classic to a new realm. We begin our vintage sojourn with the J-60, based on the vintage Juno-60, and a machine we know well like a sonic facsimile, it’s undeniably Juno, but we really enjoyed some of the extensions which IK has applied. Goes way beyond analogue, with representations of digital classics, such as the Fairlight CMI.Ī blistering collection from UVI, which also adopts a sampled route to audio, from 250 classics. It’s a potent combo, for both faithful sounds and analogue behaviour, and it’s very effective. Its DRIFT technology promotes a degree of detuning, to mimic the originals, but it actually goes far further, varying phase and colour, alongside the pitch element. Arguably, this means that you don’t get the subtlety of analogue detuning, but IK has devised a cunning solution for weaving this back into the sound. Syntronik’s sound engine is sample-based, meaning that the initial sounds you hear are incredibly faithful, being derived from the original machines. These include the Minimoog Model D, Prophet-5, Jupiter 8, Juno 60, Oberheim OB-X/Xa and even PPG Wave 2.3. Some very distinguished, diverse and popular models have been ported from Syntronik 1. There are some cryptic names in play, all of which relate to some form of classic from yesteryear. Syntronik 2 operates within the plugin domain upon loading for the first time, one of the first games to play is ‘spot the synth’. If that feels a little overblown for your requirements, the regular-sized version offers 22 synth instruments for €299, while the entry-level SE version includes 11 synth instruments for just €149. This offers a full-sized compendium of 33 software instruments, placed at the top of the package tree. We’re reviewing the full suite, which is described as Syntronik 2 MAX. Syntronik 2 is a welcome update, building upon the reliable Mk 1 offering from IK.
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